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But O’Neal’s own, more muscular personality still came through, whereas Ritter is subsumed.The other cast member who suffers is Colleen Camp, who most people seem to find annoying in this.The incidental music is mostly by Chris Storrow who donated three original pieces and “Sangria” by his previous band Bossanova.
(included merely to drive people to the page.) Credits Theme music by Bradley Davis (Fresh Snow).I grasped that some of the men were private eyes, and I grasped who they were following — Audrey Hepburn and Dorothy Stratton — but since the husband-clients who engaged the ‘tecs spend most of their time offscreen, and are virtually never seen conferring with their hired snoopers, I had little idea why anything was happening.It’s like Truffaut says to Hitchcock, whenever A & B are discussing an absent C, the audience scratches their scalps and wonders who the hell C is.Posted in FILM with tags At Long Last Love, Audrey Hepburn, Ben Gazzara, Benny Goodman, Colleen Camp, Divine, Dorothy Stratton, Elizabeth Pena, Frank Sinatra, Hairspray, John Ritter, John Waters, Madeleine Kahn, Paper Moon, Targets, The Gay Divorcee, The Last Picture Show, They All Laughed, This Filthy World, What's Up Doc?on February 22, 2012 by dcairns When John Waters appeared at Edinburgh Film Fest to talk about his career and his monologue-movie THIS FILTHY WORLD, he spoke of the tragedy of Divine’s passing — not only did his star miss out on the success of HAIRSPRAY, but his death cast a pall over the film.
A 12″ was released to promote the film, featuring “Experience” by Roach, backed with “More Experience (Extended Dance Version),” an extended mix of the film’s theme.